![]() It can also refer to the height of the main body or lower part of each character in the set. Traditionally, the x-height is the height of a lower case “x” character in a given font design. Instead, they have what’s called an x-height. Our teachers told us to divide our characters precisely in half along these faint lines, but font designers are far too creative to stick to that rule. Many of us will remember that when we learned to write on ruled paper in the primary grades, there were faint center lines halfway between the rows of bolder lines. Typographers who work mainly for screen display may measure their characters in pixels. Of course, you can also use standard measures, and most typography applications let you work in fractions of an inch or millimeters. A font design with a broad set width looks open while one with a narrow set width looks compact. ![]() The set width includes the width of the actual letter as well as the space needed between each character. The width of each character is called the set width. There are twelve points in a pica, and six picas equal one inch. Typographers measure the cap height of a font in units called points. The cap height is the distance from the baseline to the top of most characters. Having established the baseline, the next two considerations are height and width. ![]() A common baseline also enables typographers to combine more than one font in a document efficiently. That standard line is critical because it allows typographers to align text with photos, illustrations and other media. ![]()
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